I’ve got “Little Bribes” on repeat in my head right now, along with the image of Ben Gibbard bobbing side to side (how does he do that for nearly 2 hours straight?). Not to mention, my feet want to disown me – but it was so worth it. I saw Death Cab for Cutie last night at the Belk Arena in Davidson, NC and they were awesome! Of course, this is coming from someone who adores Death Cab, so my opinion might be biased – but I thought they owned it last night.
But before I get to that, let’s talk about opening bands Ra Ra Riot and Cold War Kids. Both bands were good – they didn’t blow me away (which is a bit of a shame because their albums are actually pretty good) but they did keep me entertained while waiting for Death Cab. My biggest qualm with these two bands was that the vocals were unintelligible at times. I know vocals aren’t the whole picture, but it’s distracting when everything a singer sings sounds like gibberish in my head.
I did, however, enjoy the variety of different instruments – the violin and cello mostly – in Ra Ra Riot. These provided a different sound than I’m used to listening to. Also, I thought both bands had pretty good chemistry – you could tell by the way the band members were interacting with each other. For example, Ra Ra Riot vocalist Wes Miles would occasionally rest his head on bassist Mathieu Santos’ head. Both bands seemed to enjoy their own music, which is good – because if they didn’t seem to like it, then why should I? Some songs I liked included: “Each Year,” “Dying is Fine,” “Oh, La,” “Too, Too, Too Fast,” by Ra Ra Riot and “We Used to Vacation,” “Hang Me Up to Dry,” and “Hospital Beds” by Cold War Kids.
Ok, now on to Death Cab. Guitarist Chris Walla was the first to walk out – or at least the first I saw – and he came out with a shy wave. The band opened with, “Employment Pages,” from their second album, “We Have the Facts and We’re Voting Yes.” I assume this song satisfied some long-time Death Cab fans. Their sound was crisp and clean right from the outset, and the transition from one song to the next was fluid – almost as if they were playing one long song. The lighting was perfect too. For “Grapevine Fires,” that hauntingly beautiful song about last year’s California wildfires, there were eerie red backlights.
Perhaps the song that surprised me the most was Ben Gibbard’s solo performance of “I Will Follow You Into the Dark.” This isn’t my favorite Death Cab song, but I had a different opinion of it after seeing it performed live. I have more of an appreciation for the lyrics: “If there’s no one beside you when your soul embarks, I’ll follow you into the dark.” With the audience and Ben singing this together, in unison, it was (as cheesy as it sounds) a tender and intimate moment.
Other highlights included – well, everything. The encore was great. They played “What Sarah Said,” “Little Bribes” (a catchy tune from their new “Open Door” EP), “Soul Meets Body,” and “Transatlanticism.” Boy oh boy was “Transatlanticism” awesome. It looked like drummer Jason McGerr was throwing his entire body and soul into the song. It was beautiful and I’m sad it had to end! I will definitely see them again.
Some other songs they played: “My Mirror Speaks,” “New Year,” “Company Calls,” “Crooked Teeth,” “Marching Bands of Manhattan,” “Title and Registration,” “I Will Possess Your Heart,” “Cath,” “A Movie Script Ending,” “Sound of Settling,” and “Fake Frowns.”
Also, if you’re looking for tickets, you may be able to find them here: Death Cab for Cutie Tickets.